![]() The idea was that showering the rich with even more money would result in a greater supply of services and goods, at lower prices, and an increase in employment. Reaganomics pushed for lower taxes for the wealthy and less business regulation by the government. The economic policy that Reagan advocated for, coined “Reaganomics,” was associated with supply-side theories and eliminating and restrictions on the free-market economy. ![]() To put the context of the film into perspective, They Live came out during the last days of Ronald Reagan’s presidency. One would classify it as a science-fiction horror movie, but according to Carpenter, it wasn’t fiction at all. With the help of another fellow working man named Frank (Keith David) and an underground group of human rebels, the no-name drifter (called John Nada in the end credits), tries to thwart the extraterrestrials’ plan and expose their lies to the world. Dukakis.īased on the short story “Eight O’Clock in the Morning” by Ray Nelson, the film’s plot deals with an out-of-work blue-collar drifter who discovers that the ruling class are aliens who have concealed their appearance and are manipulating humans to accept the status quo with subliminal messages transmitted via the mass media. With the nation in complete political turmoil and the future of the country hanging in the balance in the midterm elections this week, it seems fitting to revisit and celebrate a film that is still just as relevant today as it was back on Election Day 1988 when all eyes were on Bush vs. They Live, which Carpenter wrote and directed, was released on November 4, 1988, and was a movie that used the horror genre to explore the nefarious nature of poverty, exploitation, consumer culture, and capitalism. ![]() Yet, it was thirty years ago this week that Carpenter debuted what would become a horror classic with a far more insidious “monster”-the capitalist class. John Carpenter’s Halloween franchise has been celebrating box office success since mid-October, with the boogeyman Michael Myers scaring moviegoers once again four decades after his first appearance. A scene from John Carpenter's 1988 "They Live." ![]()
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